I'm about out of wind. Thanks, Bart. Banjo is so much brighter sounding now from top to bottom, and as a bonus I found that it's easier to play because I'm not fighting to get thevolume and tone I want. Even with the .656 the 2 pennies are comfortably sliding under the first string at fret 12. After that summer we were giving serious thoughts to putting Foxes and Fossils to bed. I just tried a new Douglas Fir Spillway Dam 5/8 std. Though he provides a couple different types of maple, it was a hardwood floor maple that David crafted the bridges from. It replaced the Moon bridge I've had for years on my Kalamazoo and I heard a modest but noticeable improvement in the volume and warmth. I wanted a bridge to do a specific thing for my banjo and I contacted Scott to tell him what I wanted. to see possible family members, friends, co-workers, and associates found from multiple government records, social and public sources. he said this came from a bowling alley rail and was really hard wood. Where Purchased: Wilson Jewelry Co., Birmingham, AL, Jimmy Wilson of Wilson Jewelry Co. recently made for me an 8 carat gold banjo bridge for my open-back banjo which has a rim created by Lo Gordon of Cedar Mountain Banjos in Brevard, NC. Ballard's bridge is really the best for me . Really seemed to open up and balance my banjo. The level of aggravation was high. Steve Davis suggested his 5/8 compensated bridge. Bart is also very easy and fun to deal with. The bridges have ordered online and received very quickly!Thank you Tim. I had been using a .656 and had developed a small buzz. I also bought and installed a Bela style large radius flying eagle neck onto my Sullivan pot assembly originally, then later I acquired a new Sullivan torrified rim and Sullivan V-35 tone ring. Definitely more crisp and clear. And a final word about the craftsmanship of the bridge. All parts are original apart of this bridge. Don't know the country of origin of the maple. I have given them to my friends and it always make their banjos sound amazing. I was and am really amazed and have swapped back and forth a few times since and I think the difference is real. In actuality Tim made me three bridges, but the first one was lost in shipment on its way here to Argentina. I then played a few tunes with the old bridge and repeated them again with Mike's. I'd recommend this bridge as a viable member in the lineup of bridges that every picker should have. This is probably due to the wonderful quality of the Timeless Timber maple, which is old, dry, and treated. It was kind of fun, my banjo still sounded great but I thought can it sound better? This bridge is a major factor in the superlative tone and playability of what is now my favorite fretted banjo. I put it on my Deering Baucom banjo which is by his construction very resonant and dynamic. My goal was to have slightly wider string spacing and adjust the tone to moderate the high frequency bite on my Goodtime Americana. It plays cleanly and in tune right to the 22nd fret in all positions and all strings. Very nice! I chose the new Select Maple bridge with 5/8 height and Crowe spacing from Tim Purcell. You can't ask for more than that. He was very good at speaking at length with me in my search. Love it.10 $ fast ship and blows some $45 bridges away. I tried a couple capped bridges, but decided to give Mr. New's Big Foot a shot, mainly 'cause it looks unique. All five banjo showed significant boost in sound quality. And no aluminium jangle - how can that be? The highs are sweeter and more vibrant. Bart's mystery wood bridge "WOKE" this banjo up when 8-10 other professional bridges could not. Never have I owned a bridge that gives so much tone and clarity, and I've owned quite a few. Steve Davis repaired a bridge that I butchered with some needle files and just want to let you all know that he does this work in addition to making new bridges. I think it sounds better than maple and Birch. I figured I would change out the bridge for something better for a start to see if I could get it to sound better before changing the Waverly tailpiece. Some of these are great bridges, but I thought I'd give the Beaver King a try in looking for that elusive bluegrass sound. Dar and I grew up playing and singing together in high school and for a bit after college. She develops a sleeping disorder and keeps both Samuel and herself inside the house for days on end. I can use anyone of them and be a happy camper. It's hard to improve on perfection from a Chuck Lee. I dont know what else to say but whoah. Until this point I had only ever used the stock bridges that came with my banjos. First off, I haven't seen this good of workmanship on any other bridge, including mine. I wasn't sure what to expect out of Locust, but what I got was something new almost haunting in G minor tuning. Like before, good guy.great product. The bridge was received so quickly that I believe it was manufactured and mailed the same day that payment was sent. It makes the lighter stock Deering bridge look abysmal in comparison. Doc seems to be able to tailor each bridge to your style of playing and your hoped for improvement in sound. Where Purchased: Directly from Mike at Kateyz. The end result was perfect. With my Goodtime Crowit was like night and day when compared to the Deering stock bridge that came with my banjo. The banjo sounded pretty damn good with the other bridges, but now it just has more "pop" and the note separation is more distinct throughout the handful of tunings I use, even when capoed and spiked. Where Purchased: Tim Purcell. I am very impressed with this bridge. Everybody deserves to have one of these on your banjo. Tim Purcell is on Facebook. I love this bridge! I end up get a bridge with slightly wider than Crowe spacing in 9/16th height to raise the action of the banjo. You can change your city from here. It is getting a really nice, ringing, bell-like tone from 12 all the way up to 22. I bought one from Doc ( few weeks ago)formy new Reiter Bacophone based on what I told him. Bart invited me to come visit him and try out a bunch of bridges for my 2013 Deering Calico. Pretty much exactly what I wanted for accompanying fiddle tunes. As of now, Mr. Smith has passed, but his product remains a solid standard of his passion for the banjo. Thank you. It made an already great sounding instrument much better with tons more volume and cured some intonation problems as well! The rich character of the sound is preserved while helping me to punch through a bit more. The Banjo that I am playing on is a Bob Flesher "Tarantella". This bridge was generically compensated with a flowing curve. I dont hesitate to recommend Barts bridges for a moment. Link: http://www.banjohangout.org/classified/39405
As a picker, I have tried dozens and dozens of banjo bridges. Why did I wait so long to try one of these? Very warm with great depth. Have fun. He is also an awesome picker! Really. It fixed that and brightened up my RB-4 quite a bit. Happy picking. The craftsmanship is outstanding!! I've gone through a lot of bridges in the last 2 years. See the complete profile on LinkedIn and discover Tim's . Rounding out the first incarnation of F and F was my Mustangs bandmate and close friend Scott King. I received a Zebra wood bridge and a special walnut bridge in the mail Monday (Dec. 16, 2013). He is also and extremely nice person to deal with and will work with you to customize your bridge in any way you choose. Will put these on my other banjos. Volume literally shot through the roof on a basic wood pot fretless. Great show, thank you. I believe in the spirit of this family, this group as a force for good in a time when it is so sorely needed. I would recommend this bridge to anyone who likes the Roasted sound as mentioned on BHO threads. There was a real noticeable difference in volume, decay, and strength. The Kateyz 3/5 Crowe spacing is the clearly the best in terms of volume and clarity up the neck. Well, I met Arnold several months ago when he purchased a Bilt-Rite banjo capo from me. While that is fine, I have run into problems with these type of bridges; the tone ended up being far too muddy and clunky for my tastes. It's exactly as advertised. The bridge is a beautiful piece of work, and my Century old Vega has never sounded as good; projection, claity, intonation, timbre, and no floppy 4'th string!Beyond that, Bart is an amazing guy, a consumate professional, and a pleasure to work with. I think what Don said about his bridges really improving cheaper banjos is absolutely true. I don't make a dime on these bridges but if you realize how important the bridge is on a banjo you should give David a shout, either here on the Hangout through his classified ad for his bridges..or go directly to his web site at www.dcbanjoworks.com I'm ordering another one today for my other banjo! They really are just cool looking bridges that are very pleasing to the eye. It is purrrrrrfect And just mellowed the tone/brightness a little. The overall character is not quite as note separated as my previous bridge (likely more sustain) but nonetheless I really like the full complex tone of this bridge. This is a really rich and pleasant sounding bridge. This bridge was worth every penny and I have difficulty putting the banjo down now when I ought to be getting on with the chores cos I like the sound so much. The final choice was a combination of his "enigma" and "mystery" woods. But this Piano bridge is THE best sounding bridge for this old Mastertone that I have ever used,period. TONE: The thing I notice the most about this bridge was how well it brought out the bass end. I was looking to see if I could improve that sound any more.I described the general sound characteristics and how I'm playing it now to Mike Smith and pointed him to a recording. I've tried four other more expensive "name- brand" maker bridges on it, all of which I've used for years, and this one had the best tone. The Road to Forever - co-written with Jim Fallon I received an Afro/Kat bridge from David today that he sent me to try out. The two bridges removed from the Goldstar and the parts banjo are high quality bridges made by top makers, quite a bit more expensive, and enhancedthe sound quality of the two banjos. I had hopes that it would take my already great sounding Hatfield to the next level. It really improved my highs and mids, while the bass and intonation is about the same as the moon heavy that was on previuosly. It's all too easy to say this is a great bridge for the money when it's just a great bridge, period. Well done Ericgreat product! It's staying on my Gibson! I have been using Bart's Bridges for a while now. I can't say enough about the difference in tone and volume that I am now enjoying. I bought two for my main banjos in 2010 and haven't went back. spacing, tone monster "beech" bridge! My 1 st and 2 nd string come sound more alive and a whole volume is very good. This review is for a 9/ 16" , A weight, three leg, ebony topped, mystery wood bridge with 46mm spacing. (if you get one ditch the guitar tuners and get some cheap planetary tuners) Anyway its a pretty cool little banjo but once I supercharged the Ibanez, I wasn't stopping!! Increased ambient resonance. Accurate city detection helps us serve more contextual content. 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